Arsitek | Desain Arsitek Interior & Arsitektur

Arsitek merupakan suatu penataan rumah untuk dapat menjadi sumber interior di dalamnya. Ini tidak dapat dipungkiri lagi dimana konsultan arsitektur yang merupakan suatu kebutuhan saat ini mau tidak mau harus dapat memenuhi segala kriteria yang ada, baik dari segi desainnya maupun dekor bangun-annya. Rumah adalah tempat tinggal suatu keluarga. Disana banyak terdapat berbagai kegiatan yang ada. Hal inilah yang harus dipenuhi oleh seorang arsitek, apalagi bagi seorang interior designer.

Di dalam mem-bangun suatu rumah, seorang arsitek yang baik harus dapat menampilkan wajah arsitektur yang diinginkan pelanggannya. Untuk itulah maka arsitek online sebagai perusahaan konsultan design, dalam mendesainkan setiap perencanaan para pelanggannya, harus dapat menampilkan konsep bangunan dan dekorasi yang sesuai keinginan. Setiap sketsa ruang dan model dari gambarnya harus dapat menampilkan gaya yang berbeda.

Untuk dapat memudahkan tukang dalam membangun rumah, maka seorang arsitek dan akitek harus dapat menjadi designer yang baik. Hal ini penting sekali dalam menata tampilan arsitektur bangunan itu sendiri. Nah, hal ini lah yang ditunjukkan arsitek online dalam setiap design-nya. Sebuah desain bangunan yang tertata rapi, mulai dari dekor ruang dalamnya, sampai kepada sketsa tampak sosok dari model gambar itu sendiri. Ini harus selaras dengan gaya yang dianut oleh bangunan itu. Jangan sampai konsultan arsiteknya merencanakan tampilan begini, dilain pihak sang pemilik rumah tidak menginginkannya. Ini kan merepotkan dan tidak menunjukkan suatu keprofesionalisan si konsultan arsitek tadi.

Dewasa ini rumah bukanlah menjadi tempat tinggal, tidur, mandi, istirahat dan lain sebagainya. Namun fungsi dari rumah sangat penting dan krusial sekali. Hal ini nampak jelas dari sangat hati-hatinya setiap orang dalam mencari arsitek yang handal. Ini mencakup segala aspek interior. Juga designernya turut menjadi korban. Hal ini membuta kompetisi diantara sesama akitek sangat ketat sekali. Belum lagi bila tampilan arsitekturnya amburadul tidak karuan. Tentu ini menimbulkan polemik tersendiri. Kenapa tidak, perwajahan arsitektur bangunan yang dibuat tidak menunjukkan suatu hasil karya seorang arsitek.

Dalam mengantisipasi hal ini, mau tidak mau, arsitek online sebagai salah satu konsultan ternama di Indonesia, dalam setiap desainnya, selalu memikirkan hal ini. Suatu hal yang bagi sebagian orang dianggap enteng atau sebelah mata saja. Design yang ada dari bangunan itu harus sarat akan dekor yang memikat. Juga hal ini berlaku pada tampilan sketsanya. Halaman dapur dan ruang lainnya juga dapat menampilkan model yang indah dan menarik. Begitu dilihat gambarnya, wah kok tidak sesuai aslinya ya? Pada kertas gambarnya seperti bergaya tradisional, tapi bila dilihat modelnya kok beda. Begitu bila terjadi sesuatu yang menyedihkan. Suatu yang sangat dihindari oleh para konsultan arsitek. Dan mudah-mudahan ini tidak terjadi pada rumah Anda.

Ini ada tips yang mungkin bisa Anda ambil dalam menata suatu rumah. Yang pertama adalah pilihlah konsultan arsitek yang handal, baik dari segi keahliannya maupun dari segi orang-orang yang duduk sebagai designer disana. Bila disana tidak ada orang interiornya, mungkin ini bisa dipertanyakan. Kenapa? Hal ini tidak wajar karena akitek tidak ada di kantor konsultan itu. Ini membuktikan bahwa konsultan arsitek itu tidak profesional.

Lalu yang kedua lihat hasil arsitektur yang telah dihasilkan. Atau dengan kata lain hasil karya mereka. Bagaimana? apakah desainnya sudah apik dan mantap di mata Anda atau biasa-biasa saja. Juga dekornya sudah nyaman atau belum. Mungkin modelnya biasa-biasa saja. Loh kok bisa. Ini bisa dilihat dari rumah yang sudah dibangun dari hasil karya sang arsitek tadi. Bagaimana rumahnya bila sudah jadi. Apakah rumah itu sudah menampilkan sesuatu yang menjadi idam-idaman Anda? Kalau ya, silahkan Anda mampir kesana. Tapi bila tidak, mungkin Anda harus pikir-pikir dulu.

Kemudian daripada itu, suatu rumah juga berfungsi ganda. Hal ini tidak bertentangan dengan fungsi utama dari rumah itu sendiri sebagai tempat tinggal sekaligus sebagai ajang kreativitas keluarga. Arsitek selaki designer harus melihat ini sebagai suatu hal yang wajar. Dalam penataan interiornya juga tidak berbeda. Hal yang sama juga diberlakukan. Akitek tidak bisa sewenang-wenang dalam mengatur arsitektur suatu bangunan. Begitu juga konsultan arsitek seperti arsitek online ini. Mereka juga harus dapat menampilkan design yang dinamis sekaligus berperilaku alami. Desain yang dihasilkan harus menunjukkan itu semua, yakni suatu hasil desain dekor yang bergaya selaras dengan alam. Sketsa yang dihasilkan lewat goresan pada gambar model juga selayaknya mewakili dari apa yang diminati oleh penghuni rumah tersebut. Arsitek diharapkan dapat menangkap gejala ini semua.

Developing the Perfect Home Design
When it finally comes down to building your own home one of the most difficult parts you'll ever encounter is actually choosing your home plan. Generally you have all these ideas built up in your head of how you'd like your home to look and be laid out, but now it's getting all those ideas onto paper that could be difficult. For those beginning the process of their home building plan you'll quickly want to consider the actual layout of your lot. This will allow you to have the ability to determine what actual size you can have for your home, meaning you can finally figure out the sizing of all the rooms within the home. You also want to consider how much land you want around your home, such as your backyard and such so you can ensure to leave enough space for all those things you want in your yard.

When you've determined the amount of space you'll have for your home you can now determine the size of foundation you'll need, whether your homes going to be one story, two story, etc. It will depend on the number of storys of your home for the actual size of your foundation, and your home builder should be able to explain this to you. At this stage you will also want to determine if you'd like to have a basement or not within your home.

Now it is time to get into the design plan for your home. When you choose to go with a rectangular option you will see a drop in pricing as it is easier to build a rectangular home then it is to build a home with many different corners to go around. If you want to be outrageous with your design then do it, but please be aware that this will cost you more and could do a lot of damage on your wallet. There are many ways that you can cut costs when it comes to designing your home and one of the best ways to do it is by keeping things simple. If you know you won't need a basement then don't get a basement, as this can cut thousands of dollars off your home plan. Basements cost a lot of money to build as they take a lot of time to develop, so if you don't need it then don't get it.

One of the best tips ever given by a builder is to leave out all the extra fancy things until later. If there are things you want, but don't know you can afford then don't do it. Usually these are things that can be added onto the home in the future but make sure to keep them on your wish list as they could end up happening as your build progresses, especially if you run into a little extra money on top of your budget. A home plan can be expensive, but it can be budgeted if you take the right steps and avoid having all those unnecessary add-ons. Be wise with your home plan and you could save thousands of dollars.

Visit us to learn more about Tucson Property Management
Jaxson Smith - or to learn more visit Tucson Property Management

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Craftsman Home Plans - Basic Fireplace Design Elements
Craftsman Home Plans usually call for at least one if not several fireplaces. In the design stages of planning your new home - you will need to know the recommended measurements for chimney, flue and mantel. In the construction of the masonry for any craftsman home fireplace or chimney it is important that the foundation start from solid ground and as far down as the lowest part of the foundation wall of the house itself.

All woodwork must be excluded from inside the chimney and the beams should be framed around the brick work. A fireproof hearth should be constructed with a distance of 12 inches or more from the face of the chimney wherever there is to be an open fireplace. The best placement for the opening for the fireplace is in the center of the chimney. If a flue passes up on only one side then balance to the chimney can be made by running up studs on the other side to give an equal width without a waste of brick work.

Designing The Flue
It is a safe rule to make the height of the fireplace rather less than the width of the opening and the depth should be at least one-half the height. The average size of fireplaces is made 30 in. wide, 30 in. high, 12 in. deep in the rough brickwork. To this is added the mantel facing giving a depth of about 15 inches.

The smoke flue, in cross section, should be about 1/2 the area of the fireplace opening. That would for the above mentioned size, 30x30, give a cross section of about 75 sq. in. and for this the flue is usually built about  8in. x 8in. The flue itself should be uniform in size from the throat of fireplace to the extreme top of chimney and sharp turns and unnecessary bends should be avoided. It is desirable to use terra cotta flue lining as they insure a smooth surface in the flue and also give protection against possibility of a spark going through an open joint of the firebrick work.

The flue linings should be carried a little above the top of the chimney so as to permit a beveled shoulder of cement to run down to meet the brick work. This also leaves a nice clean look to the exterior chimney top. Make sure that the flue lining is sufficient so that you will have eight inches of brick around the chimney. Around the open fireplaces there should be at least 12 inches of brick work, or 8 inches of brick work with 4 inches of air space, between the fire and any woodwork.

What Is A Chimney Throat?
The space immediately above the fireplace is termed the "throat" and the sides of  a chimney throat should run at an angle of about 45 degrees starting at the sides of the fireplace and meeting the flue directly over the center of the fireplace. The very best option is to build in an iron throat damper. This has the right shape to insure good draft and has the advantage that the damper can be closed when the fireplace is not in use or when the draft of the fire is too strong.

We often see  plastering  on the inside of a flue as the chimney is being built. It does insure a smooth surface while the work is new, but is not desirable because  the plaster will eventually loosen and fall. When it drops out, it pulls some of the mortar from between the bricks and this will make the surface even rougher than it would be if the brick work has not been plastered in the first place. You must always take precautions to prevent any pulling on mortar between the brick - because loose or missing mortar makes it  possible for a  spark to pass  from the flue to the surrounding woodwork. If you cannot get terra cotta flue linings, have eight inches of the brick work built, but not plastered inside.

Should You Use Wood For A Mantel?

Wood mantels if properly made can be used with entire safety where you have open fireplaces or regular open grates in your Craftsman Style Home. In Colonial times when houses were heated  open fireplaces, wood mantels were used almost exclusively and there are many fine examples of these mantels still in existence, without any suggestion of wear or scorching. If you expect to have a large fireplace with blazing logs it is not wise to have woodwork that projects or protrudes over the fire, either in the way of columns or the mantel.  The recommendation is at least 6 inches of tile between the opening of the fireplace and the woodwork.

Get more ideas for http://craftsmanhomeplansblog.com/ from That Painter Lady. Avoid all the common Craftsman Home Plans mistakes, get success tips, find the right products for the job and more.

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Shed Designs - Can Some Plans Be Modified and Utilized As Living Spaces?
When you think about it, many aspects of building a shed are quite similar to residential home construction.  They both will have a floor, walls with openings, roofs, etc.  If you are thinking about building a shed now and possibly converting it over to an office or perhaps a guest room in the future, there are some things to consider when selecting a plan.

Many smaller shed designs propose that the structure be built on pressure treated timbers or skids.  While this is adequate for an auxiliary building for general storage, it will not be approved by most building jurisdictions if you later want to convert the building to a living space.  My recommendation is to look for shed designs that incorporate a traditional stem wall foundation for a wood floor, or a concrete slab with a perimeter footing.  In either case make sure the footing depth is below the frost line for your area.  If you are going with a slab floor, include a vapor barrier, as this is required for living space and cannot be added later. Also, its is important to obtain a building permit for your structure that way the footing depth and reinforcement is inspected so these details cannot be questioned later.

I would also strongly advise that any windows used in the building be dual pane.  This will make it much easier to qualify as a living space should you decide to convert it later.  Floor insulation is much easier to add during construction, so this is another item that is best to include.  If you are bringing power to the shed now, consider the amperage requirements for the future use of the building.  It is much easier to bring the proper size power feed cables to the structure now, and avoid having to do it over at the time of conversion.

With a little planning and forsight, the cost to upgrade your shed to a living space can be minimized.  Of course you must still make sure that the local planning and zoning ordinances will allow your proposed changes.  And most areas of the country will also require you to obtain a building permit to finish out the space.
Thomas Ross is a civil engineer and Building Contractor. For information on shed designs and other DIY building projects, visit Shed Designs.

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Cabin Kits For a Quick, Inexpensive Vacation Getaway
As we sit in our urban homes, we are surrounded by highways, strip malls, office buildings, and parking lots. But the primal part of us yearns to be surrounded by trees and water and winding woodsy roads. As we peck away at our computers, we wish we could escape to our Alaska cabins. Alaska is far away, but with the cabin kits that are now available, you can build a cabin closer to home, but with a similar woodsy ambiance. And, because it's a kit, you can make it as simple or as full-featured as suits your desires and budget.

Call it a cabin, call it a cottage, or call it a camp. It's all the same thing. It's a little, uncomplicated house that sits in the woods. If you're lucky, you can find a lot on a lake where you can have a dock. Imagine the pleasure of watching your kids jump off the dock into the clear, clean water of a northern lake. With their air mattresses and swim rings, they can paddle around in the shallow water, cementing the sibling bonds and building shared memories that will nourish them when they have their own urban homes and computer jobs.

Imagine tying your boat to the other side of the dock. When the kids are big enough, you can all have the excitement of water skiing around the lake. It doesn't have to be the hugest lake in the state for the water skiing to be fun. It just has to be big enough for your boat to make large enough circles to keep the skier on the water. Imagine sitting on the end of the dock, feet dangling in the water, with a fishing pole in your hand. Put a night crawler or an artificial lure on the line, and toss it out. The result of some patience and a couple of beers just might be tonight's supper. Whether the lake is stocked with blue gills or bass, the eatin' is good! If the fish aren't biting around the dock, throw the gear in the boat, and look for greener fish pastures. Dawn and dusk are the best time for boat fishing. And, who knows? You just might see a muskrat, beaver, or loon.

There's another important part of this fish dinner, and that's the berry pie! Later in the summer, the wild raspberries and blueberries will be ripening. Grab a pan, large tin can, or bucket for you and each of your kids. Spray on the bug repellent liberally. Dab on the sunscreen. Then head out into the woods. If it's been a good, warm season with plenty of rain and sun, the berries will fill your buckets quickly (of course not quickly enough for the littlest one of the crew). When the berries are picked over and washed, they will be ready to toss between pie crusts, along with a liberal amount of sugar, and baked.

So put your dreams to work. Buy a piece of a lake shore and a cabin kit, and get building!

This article sings the praises of the vacation cabin on a lake. This type of vacation allows the kids to cement their sibling relationships with memories of fun times swimming, water skiing, fishing, and berry picking. A cabin kit provides a quick, inexpensive way of building a cabin.
Chuck R. Stewart bought a few cabin kits for his church to build on a remote piece of property. He also found some Alaska cabins that looked interesting.

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Read This and You Too Could Be a Designer
I've been meaning to get this one off my chest for years. I am an Architect and have been formally trained in design, so I know a thing or too about it. These are some of the best design lessons I have learned, to date. First: Everyone is a designer. It's common to hear people taking about designer goods; designer clothes, designer furniture, designer this and designer that. It seems to be a widely held assumption that if you buy something made by a recognized designer that;

1. Its somehow better.
2. Its more expensive (for a full explanation of why, see point No. 1)

Wrapped up in this faulty logic is the notion that some things are designed and everything else, sort of, happens!

This is a load of codswallop. Every single things made by human beings is designed. Everything. Even if the person concerned doesn't call it design, if they are making decisions based on choices, they are a designer. It's just a matter of how good they are at it.

Even if you are digging a hole in the ground, you have choices to make:

How deep should I dig?
Spade or shovel?
Should the ground be wet or dry?
Should the sides be sheer or sloped?

Even a hole in the ground is designed. The second lesson is not to be precious about your own designs. You are not your design! If your friend shows you their latest painting, one they did themselves, and you don't like it, would you tell them? You should. Just because you don't like their painting it doesn't mean you don't like them, they are still your friend after all.

Who we are and what we make are not the same. If you become precious about your designs, then you wont listen to any criticism and good advice will pass you by. Designers who are precious, usually go with the first thing that pops into their head. That's not to say the first idea is no good, just that most of the time it needs refining. If you are precious about it you wont want to refine your ideas, because that is a tacit admission that they were imperfect to begin with. You are trapped. If you let go of your designs and admit that, occasionally, they can be rubbish and need improvement, then you will be free to produce good design.

I've been involved in some real horror story buildings in the last few years, some I just worked on, others I helped to design. But it doesn't matter, because of the next lesson. In Architecture, it is not all about the Architect. I feel like I could be struck off for sharing this one, or at least lynched, but here goes anyway.

If your life's ambition is to win the Nobel Prize for Literature, all you need is a pen and some paper. Beyond that, talent and motivation. Just write. Its quite possible you could keep the whole thing hidden from everyone until its finished, then publish it and wait for the phone call from Stockholm. Your capital outlay could be less than £20. Perhaps you want to paint something profound, a painting to rival the Mona Lisa or Guernica. Off to the art supply store, £50 should get you some canvas, paint and a few descent brushes. Keep it all under wraps until the opening night exhibition at the Louvre. All you need is talent and motivation.

But what if you decide your life's work will be an Architectural masterpiece. Something that future generations, 1000 years from now, will want to preserve. A new Taj Mahal or Chartres. That's different, now you need land to build it on and large property transactions are public knowledge. You will need planning permission, because this baby will be BIG. Its going to cost money, lost of money and you will need the best craftsmen, and engineers to help you. In short there is no way you can claim this to be entirely your own work. The best that most Architects I know could manage alone is to design and build a new garden shed for themselves. It takes more than talent and motivation to make a great Building.

When people talk about Architecture, either buildings they really love or hate, they almost always invoke the Architect as being solely responsible. If its praise, many Architects indulge the conceit. If its damming, they tend to ignore it (if you take the lesson No. 2 to heart, you don't take anything to heart, so to speak) The crucial missing link here is the client. As I've just shown, Its seldom possible for a Architect to be completely responsible for a building, whether its considered beautiful of hideous. Most of the time it comes down to money. The next time someone is going on about a building they love or hate and how they praise or blame the Architect, ask yourself; Did the Architect pay for the building?

Probably not, its more likely the client paid for it. If so, they may have had a significant say is how the building turned out. There are two types of client that Architects dread.

Type 1: "here's an empty field and a blank cheque, I'll be back in one year and I expect to see...something...a house, yea, a nice house". These clients don't ever want to communicate or to make decisions. Inevitably, If you take their money, what you design will not be what they had in mind.

Type 2: At the first meeting, "I want these tiles on my new bathroom and I've ordered a lovely carpet for the new sitting room, make sure it fits". These clients don't want an Architect, they don't want ideas, they want compliance with their every (detailed) instruction. They need a draftsperson, not a designer.

The best client falls in the middle, one who has ideas and is willing to consider yours. Its a partnership of equals and requires the Architect to be humble enough to admit they don't know everything, that is how truly great buildings are made.

A guy I went to uni with came back from a holiday in Poland once, having been to visit Auschwitz. Being an Architect, he had noticed that many of the original camp buildings were still still standing after 50 years and he made the, somewhat flippant, observation that despite being a terrible place, the brickwork was excellent! This story illustrates a problem many people have with Architecture. They get hung up on workmanship.

The US military, not so well known for their profound intellectual insights, nevertheless have an apt description for this situation. They are fond of saying that you cant win a war without an air force, but you cant win a war with an air force alone. Deep, I know, but what does it have to do with Architecture? You cant make a great building without excellent materials and skilled trades people, but you cant make a great building with those things alone.

The brickmasons at Auschwitz must have been good at their trade, they may even have been the best brickmasons who ever lived, but none of it matters because the place is a hell-hole. Individual trades and specialist professions (im thinking of engineers) are fixated on their specializations and they do not care for anything else. After all, you wouldn't blame the structural engineer if the lights didn't work. Only the Architect sees the big picture and is best placed to come up with a holistic design that makes best us of the all the skilled people available.

The downside of this is that the brickie may be able to make the perfect wall, but an Architect can never make the perfect building. The final lesson:

All design is a compromise. I love cars and I love driving. Suppose I wanted to buy a car that does everything I need it to do. It can reach 200mph, it returns 60+ MPG, it is ultra reliable and costs £10k from new. Did i also mention it looks gorgeous and comfortably seats six adults.

Impossible, I know. Its the same with everything: Food, taste v's calories and fat. Clothes, cost versus wear and tear. Architecture is no different. There is a nice little diagram, an isosceles triangle that shows the problem. Time, Cost and Quality. If you demand one of the three, the other two must give. A good designer is a good decision maker.
Niall Hedderman. Owner of Capital A Architectural Design, Edinburgh. http://www.capitalA.co.uk

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